![]() Wright was sitting in before and after the alleged murder that Mrs. Seeing the bread outside the breadbox, the broken fruit jars, and the rocking chair that Mrs. Many dashes are used as the women speak slowly and thoughtfully in the home where a man was just murdered. They are very nervous and timid, which can be determined by the diction that Glaspell uses. They are there only to gather items for the imprisoned, Mrs. The women enter the house as a home rather than a crime scene. The beginning scene describes, “The women have come in slowly, and stand close together near the door” (Glaspell 958). The females of the play were very hesitant to enter the house. “The audience hears only male voices for the first quarter of the play as they go from room to room routinely until they left nothing out, ‘Nothing of importance’” (Holstein 283). The county attorney carries out the investigation in an orderly way by interviewing the key witness and asking for the facts only. The male characters enter the house as a crime scene. Peter’s, the wife of Henry Peters and Mrs. The perspectives include a male’s, which include George Henderson, the county attorney, Henry Peter, the sheriff, and Lewis Hale, a neighboring farmer, and a female’s, which includes Mrs. The play is written from two different perspectives. Trifles” opens up in its setting, which is a rural area of Nebraska in a newly abandoned farmhouse kitchen belonging to the Wright family. ![]() ![]() Glaspell, a feminist writer, writes plays that are known for their development of deep, sympathetic characters that have strong principles that are worth standing up for (Holstein 288). Glaspell uses irony and common misconceptions to convey her powerful message “Trifles” is also a play that reflects a clear notion of gender and sex roles. These writers worked in close proximity with Susan Glaspell, and so the group benefitted from mutual support and inspiration.Susan Glaspell’s 1916 play titled “Trifles” uses many elements of drama such as, diction and spectacle through the actions of the two women as they rummage through a unusually messy kitchen to develop complexity and hold the attention of the audience until the very end. Vincent Millay (Pulitzer Prize for Poetry (1923)) and Theodore Dreiser ( Sister Carrie (1990) and An American Tragedy (1925)). Members of the Provincetown Players included Eugene O’Neill ( Anna Christie (1920), Strange Interlude (1928), and Long Day’s Journey Into Night (1941)) Edna St. After Susan Glaspell formed the Provincetown Players, she focused primarily on this group to present her work outside of New York City. Other writers in this movement, and friends and colleagues of Susan Glaspell, included Upton Sinclair who wrote The Jungle (1906) and The Brass Check (1919), Emma Goldman (anarchist writer and political activist), and John Reed (journalist who covered the Bolshevik Revolution in Ten Days That Shook The World (1919)). The avant-garde movement created work that was particularly innovative or experimental, and that attempted to push the accepted boundaries of various art forms. Susan Glaspell is often grouped with New York City’s avant-garde movement of the 1910s, America’s first example of avant-garde thinking and artistic creation. After Cook’s death in 1924, Glaspell moved back to Cape Cod and struggled with alcoholism and depression toward the end of her life. Later, the pair left behind their theater company because it had become “too successful” for the company’s original innovative vision and moved to Delphi, Greece. Inheritors (1921) is arguably America’s first modern historical drama, and The Verge (1921) is among the earliest expressionist art in America. Her work that followed was considered similarly groundbreaking. The Provincetown Players first performed the play. She also wrote Trifles during this time (1916). The pair also founded the theater group the Provincetown Players on Cape Cod, and Glaspell, despite her lack of professional training, acted in several plays. The pair moved to New York City where they joined America’s first avant-garde movement alongside other artists and activists. Through the Davenport theater group of which she was a part, Glaspell met and fell in love with the already-married George Cook. Trifles is based on one case she covered Glaspell resigned her post after seeing the woman in the case convicted of murdering her abusive husband. After college, Glaspell worked as a journalist covering murder cases. Despite the prevailing opinions of her community, she believed in a woman’s right to education and pursued her studies, enrolling at Drake University where she excelled in the male-dominated debate competitions. Susan Glaspell was born in 1876 and raised in rural Iowa.
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